Erin Klee

 

 

 

fragments

 

 

 

 

 

of an intended life
whispered to an absent lover

 

 

Fragments  is a novella in progress….

 

It’s a series of intertwined vignettes on love and loss – and the debt life owes to art. 

 

Stylistically, Fragments  intends to fuse the precision of poetry, the tranquility of prose, the motion of cinematography, and the held moment of a still photograph.  Emotionally, Fragments  is something else entirely, evoking a sense of restlessness... a young woman's transgression between worlds.

 

The first chapter, “Intersection,” is below; several other chapters are also online (and can be read through grey links in the “Table of Contents”).  Additional excerpts will posted gradually through the Summer and Fall of 2009.

 

I intend to self-publish the novella (unless a more formal publishing arrangement can be found) in late 2009 or early 2010.  If you would like to be notified of its release, please e-mail me.

 

 

 

 

 

 

 

 

 

 

 

Table of Contents

Updated April 19, 2009

Subject to Change

 

 

1.              Intersection

2.              Sublimation

3.              Hanlan’s Point

4.              Magnolias

5.              The Musical Term for the Process by Which Out-of-Phase Elements Slowly but Deliberately Come into Synchrony

6.              Entrainment

7.              A Maimed Soccer Ball

8.              “Writing Down the Bones”

9.              “From Adam’s Rib”

10.           Carpal, Flange

11.           Ilium, Pubis, Ischium

12.           Three Days After the Red Carnations

13.           The Pier at Dusk

14.           “Wake Me Before You Go”

15.           A Deck Designed by Aleister Crowley

16.           Divination

17.           Presage

18.           Brighton Beach

19.           Tenderness

20.           The Sense of our Sex

21.           “Chelsea Hotel”

22.           The Front Moves Through

23.           Then

24.           Like a 1950’s Sitcom

25.           “Love with Razor Blades”

26.           Eggshells

27.           Percussion

28.           Evening

29.           Suzanne

30.           “You Know I Will”

31.           Atheistic Jews for Jesus

32.           Under the Bridge

33.           Exhale / Rant

34.           Fragments, Embers, Embryo

35.           Embargo

36.           Anonymous

37.           “A Case of You”

38.           The Pier at Dawn

39.           Eight Flights

40.           “Step off the Roof”

41.           Dominance

42.           Submission

43.           “Love Will Come to You”

44.           The Reservoir

45.           Our Inconvenient Truth

46.           “how fortunate are you and i, whose home is timelessness:  we who have wandered down from fragrant mountains of eternal now.”

47.           Diagnosis

48.           / … --- … /

49.           Breaking

50.           “It’s Lonely.  Come Home.”

51.           Regrets

52.           “Please Come to Boston”

53.           “The Quick Brown Fox Jumps Over the Lazy Dog”

54.            “Lost in Translation”

55.           Like Fonteyn

56.           “Diamonds and Rust”

57.           Tire Treads like Footsteps

58.           In Honour of their Wedding Vows

59.           May Day

60.           “Bizarre Love Triangle”

61.           A Decade has Passed; I Imagine 3,650 Hatch Marks on my Bathroom Wall  (Without Accounting for Leap Years)

 

 

 

 

 

Chapter 1:

Intersection

 

 

 

 

We sit at the round table in the intimate windowed alcove, our faces warmed by steam rising from bowls of pho, laughing… glancing out at our bicycles, chained and propped against the diner wall.

Outside: a man sleeps, back propped against the bike rack, legs wedged between a parked Lexus and an SUV.  Inside: we flirt with politics; you cough, self-conscious, when chili oil catches your throat.

The broth begins to cool.  The sleeping man stirs then settles, neck bent awkwardly.

You rest your chopsticks on the table, push aside the plate with lime rinds and straggling bean sprouts, and cup my nervous hands in yours.

Again he stirs, chapped fingers in the pocket of his threadbare coat, searching, preparing: blackened spoon, bag of white crystals, rubber hose, lighter, syringe. 

The petite waitress with her tenuous English brings the check.  Politely, we both reach for it.

I struggle to avert my eyes as the white rocks melt on his spoon and he sinks the syringe in his vein. 

We unchain our bikes as he staggers off, screaming his hatred for “Jews, fags, and the government.”  You insist on escorting me home, so we ride together across the bridge, skirting decrepit projects on the Lower East Side, weaving between Chinatown and Little Italy, then heading West, toward the Village and the waterfront, past industrial sites and factories locked down for the night.

We stand at the door of my loft.  Our heat radiates.

We kiss goodbye, cilantro on our lips.

 

 

 

 

 

 

 

 

A Note on Inspiration

 

 

Since we’ve seen each other, a game goes on.

Secretly I move, and you respond.

You’re winning; you think it’s funny.

But look up from the board now… look how I’ve brought in furniture to this invisible place, so we can live here.

—Rumi 

(excerpt from Poem 1245)